Felicia is joined by Bryan Loomis (from What a Picture Podcast) to discuss Yasujirō Ozu’s silent comedy about two brothers who begin to see their father in a new light.

Felicia is joined by Malik Nelson to discuss Yasujirō Ozu’s overlooked film about two sisters grappling with the return of their mother who abandoned them in Tokyo Twilight (1957).

Felicia is joined by Seth Vargas to discuss one of the most touching and heartbreaking father and daughter stories, in Yasujirō Ozu’s Late Spring (1949).

Felicia is joined by Charles Forsman and Joey Gantner to discuss the only punk sci-fi film that matters, Repo Man (Alex Cox 1984).

Felicia is joined by Liam and Wayne from the In Film We Trust Podcast to discuss Jim Jarmusch’s film about three outlaws on the run, in Down By Law (1986).

Felicia is joined by Trevor Young to discuss Jim Jarmusch’s anthology film of character’s everyday conversations in Coffee and Cigarettes (2003).

Felicia is joined by Rolo Tony to discuss Jim Jarmusch’s blending of both noir and samurai genres in Ghost Dog: The Way of the Samurai (1999).

Felicia is joined by Eugina Gelbelman to discuss Jane Campion’s story of cults and gendered sexual dynamics, in Holy Smoke (1999).

Felicia is joined by Emily Gagne to discuss Jane Campion’s feminist western film, The Power of the Dog (2021).

Felicia is joined by Scott Cole to discuss Jane Campion’s vision of women in thrillers, in her 2003 film, In The Cut.

Felicia is joined by Ms. Sinclair to discuss Jane Campion’s take on women’s liberation in The Piano (1993)

Felicia is joined by Jamila Brown to discuss about Jane Campion’s adaptation of The Portrait of a Lady (1996).

In today’s Special Features episode Felicia is joined by Geoff Thomas, to discuss one of Luis Buñuel’s most political overt films, Diary of a Chambermaid (1964).

Felicia is joined José Roldan to discuss Gordon Willis’ work on Woody Allen’s controversial but groundbreaking film, Zelig (1983).

Felicia is joined by Martin Kessler to discuss Gordon Willis’ photography that would shape the rest of 1970s American cinema, in Hal Ashby’s The Landlord (1970).

Felicia is joined by Ryan Ritter to chat about Gordon Willis’ dark imagery in Alan J. Pakula’s detective thriller in Klute (1971).

Felicia is joined by Bryan Loomis and Hannah Loomis to discuss Gordon Willis’ visual take on the Watergate scandal in Alan J. Pakula’s All the President’s Men (1976).

Felicia is joined by Vinny Tucceri to discuss one of the 70s most underrated films about addiction, The Gambler (Karel Reisz 1974).